During the car chase, one of the Twins shoots at a car behind them to get it out of the way - the right side of the windscreen (as we look at it) is peppered with holes. From another angle, they disappear, only to reappear as it swerves away. Submitted by Jon Sandys
In the Chateau where Neo fights the Merovingian\'s men, after the men shoot at Neo, only to have their bullets stopped, they all drop their guns. Throughout the rest of the scene, the guns are nowhere to be found.
When Trinity is about to jump down with the keymaker to the bikes in the freeway scene, she is on the left side of the keymaker. When you see them in mid-air, she\'s suddenly to the right of him.
When the twin leaves the car that Trinity is driving, he is standing on the freeway by himself. You see a flat-bed truck, then a police car, then a red van pass him by. But when they show the shot ahead of him, the truck is still there, but the cop car and the red van are nowhere to be seen.
In the car chase scene when the Twin enters the car with Morpheus, Trinity and the keymaker the camera view changes between aerial shots and shots from in the car. In the aerial shots the road behind them is completely empty. From the shots in the car you can see several cars behind them through the windows.
In the freeway scene, during the part with one of the twins in the back of the car fighting Morpheus, one shot shows the twin puting a knife against the keymakers throat. If you look out of the rear window, you will see a white van. Then there is a quick shot of Trinity. When the camera cuts back to the twin and the keymaker, the white van is gone and is replaced by a black van.
In the freeway scene, Morpheus fights an agent. Right before Morpheus gets knock off onto Niobe\'s car, you see Morpheus land and lose his balance on the left side of the back of the truck, but when there is a shot of Morpheus falling off the truck, he is falling off the centre.
In the scene after Neo catches the falling Trinity and he takes the bullet out of her she dies and Neo pulls her close to his chest. When the shot changes to matrix code and he reaches in to massage her heart and revive her, her body is lying perfectly flat, when it cuts back he is still holding her almost upright to his chest.
In the highway, when the agent in the police car jumps to another car and flips it over, the wheels keep turning, then there\'s a quick slow motion and we see the wheels completely motionless, and in the next scene the car is again flying and the wheels are turning around.
As in the first film, the Agents are firing .50 caliber Desert Eagles. The Agent in the police car fires several shots that hit the car door right next to Trinity. A shot from a Desert Eagle would not only go through the car door, it would probably go through Trinity and hit Morpheus as well.
When Trinity turns her bike around at the freeway and starts speeding in the wrong direction, you see a bunch of police cruisers entering the freeway on the wrong direction as well via a freeway exit (you even see the arrows and the sign that says exit), this happens almost instantly after Trinity turns around, implying they knew before hand she was going to pull of that move. For a bike it\'s just a matter of turning around right there, but for a car that means exiting the freeway, go over the bridge, somehow get on the other lane, avoid incoming traffic in the narrow freeway exit and reentering the freeway. They can\'t have done it just on the off-chance, because they\'d then have had great trouble turning round to chase her the right way.
While Trinity is falling out of the window, she tries to shoot the agent leaping after her. The bullets of her guns are too close to each other because the weapon has a limited rate of fire of 1700 rounds per minute, which is by the way extremely high for a submachine gun. This is because of technical issues: the whole automated reloading cycle just takes some time. In reality a bullet fired off from a micro-uzi would be over 12m away when the next one leaves the muzzle.
During the scene where Neo is talking to Agent Smith in the park area where Neo was talking to the Oracle, there is a close-up on Agent Smith\'s face. In his sunglasses you can see a camera on a tripod and a light and white screen to reflect the light onto the faces of the actors.
In the freeway chase scene when one of the agents jumps onto the hood of the first car then jumps off, the car flips, then a second later as the car is still flipping you can see the gas tank has been removed.
During the freeway scenes, the katana Morpheus used as a foot hold to grab the keymaker keeps moving. It was at arm\'s length from the top when he inserted it; when Morpheus was standing on it, the sword was a whole body length below the top; when Morpheus took the sword out in his fight against the agent, it was back in its original position.
During the car chase, the twins shoot out most of the windows in the car that Trinity and Morpheus are driving in. But every time they cut to a shot of them inside of the car, the windows are intact and there is no shattered glass to be seen.
During the freeway scene, if you look closely, you will notice that none of the trucks have axles.
When Neo and the keeper are fighting on the middle bench, one by one the bowls get knocked off - the two on the far corners (left and right) reappear and disappear at least once. Likewise the pot on the right hand table with stick-like things in - that table\'s completely cleared at one point, but that pot reappears.
During the freeway chase scene the Cadillac gets slammed up against the wall and sparks start shooting from the side to show that the car is being scraped by the wall. However, in several quick shots after we see the car gets scraped against the wall, there are only bullet holes and no trace of scraping against the side of the car.
In the scene where Trinity is speeding away with the Keymaker, how can the Ducati be slower than the cop cars which are obviously gaining on her? It can\'t be due to traffic - when she\'s on the hard shoulder, with completely empty space in front, the cops are still alongside.
In one scene we see Persephone reapplying her nude/pale pink coloured lipstick while she is in the men\'s room, talking to the crew. In the next shot, she has a different colour lipstick on all of a sudden. Instead of her lips being nude/pink-colored, they are now lined with a darker colour and not filled in with lipstick.
During the entire time that Trinity and Morpheus are being shot at by the twin in the car, we never see him reload his gun, despite the fact that he fires about 350 shots at them from one clip. It can\'t be due to them being able to bend the rules of the matrix, as eventually he runs out of ammo, looks at the gun in disgust and ditches it.
In the freeway chase scene when the Cadillac is being side-smashed by the police cruiser, the agent driving the cruiser disappears from the car when the vehicle hits the water barriers. It can\'t just be that he changed to a different body - that would have left the original occupant still in the car.
In the scene right before the freeway scene, in the city streets, the Escalade EXT rams a brown BMW 7-series in the purwuit of the Silver CTS. The BMW rips in half, but there\'s not a scratch on the EXT. Later in the freeway scene, you see a headlight blown out, and a katana sword can rip it, whereas a car smash causes no damage.
After Morpheus slices the car the Twins are in, you see the car skidding to a stop. The camera cuts back a fraction before the car actually stops, but it\'s obviously moving very slowly. However when you see the car in the next shot, it\'s flipping over. There is no way that its minimal momentum would have flipped the car, cut with a sword or not.